Camille Mandoki

Camille Mandoki was born in Mexico City into a family with a rich artistic heritage. Her father, Luis Mandoki, is a renowned filmmaker, which exposed her to the creative arts from a young age. Growing up in such an environment, Camille developed a deep appreciation for various forms of artistic expression. She spent parts of her childhood in diverse locations, including Los Angeles, Canada, New York, Maine, and Israel, experiences that broadened her cultural perspectives and influenced her musical sensibilities.

During her formative years, Camille was introduced to music through traditional instruments. She began playing the harmonium at the age of four, a practice she continued until she was ten. This early exposure to music, particularly the repetitive and immersive nature of mantras, left a lasting impact on her approach to composition and performance. Despite not having extensive formal training, Camille's intuitive understanding of music led her to start composing her own pieces in her late teens.

Camille Mandoki's musical journey began in earnest around the age of 19 when she started composing and experimenting with sound. Her early works were characterized by a blend of classical opera influences and contemporary atonal music, creating a unique and ethereal sound. In 2016, she released her debut album, 'We Used to Talk for Hours', under the Static Discos label. The album features ten tracks composed between 2013 and 2015, showcasing her ability to craft introspective and dreamlike musical landscapes.

Following the release of her debut album, Camille continued to evolve as an artist. She collaborated with various musicians and producers, expanding her sonic palette. Notably, she worked with Lucrecia Dalt on the track 'Bauba', which was featured on the compilation 'Donne che Corrono coi Lupi'. This collaboration highlighted her willingness to explore new musical territories and push the boundaries of her sound.

In addition to her recorded works, Camille has been an active performer. She has participated in festivals such as MUTEK and has performed in various art spaces, bringing her immersive soundscapes to live audiences. Her performances often involve a combination of live instrumentation and electronic processes, creating a dynamic and engaging experience for listeners.

Camille Mandoki's music is deeply influenced by her diverse cultural experiences and her exposure to various artistic disciplines. Her upbringing in a creative household, combined with her time spent in different countries, has contributed to her eclectic musical style. She draws inspiration from classical opera, contemporary atonal music, and electronic experimentation, resulting in compositions that are both innovative and emotionally resonant.

Her work has been compared to artists like Diamanda Galás and Lydia Lunch, known for their confrontational and boundary-pushing approaches to music. However, Camille's sound remains uniquely her own, characterized by haunting vocals and intricate electronic arrangements. Her ability to blend different genres and styles has made her a notable figure in the experimental music scene.

Camille Mandoki's discography reflects her evolution as an artist and her commitment to exploring new musical landscapes. Her debut album, 'We Used to Talk for Hours', released in 2016, is a collection of ten tracks that showcase her unique blend of classical and electronic influences. The album received positive reviews for its introspective and dreamlike quality.

In addition to her solo work, Camille has been involved in various collaborations. She contributed to the track 'Bauba' with Lucrecia Dalt, featured on the compilation 'Donne che Corrono coi Lupi'. This collaboration allowed her to experiment with new sounds and further expand her artistic horizons.

Camille has also released several singles and participated in live performances that have been well-received by audiences and critics alike. Her ongoing exploration of sound and emotion continues to resonate with listeners, solidifying her place in the experimental music community.

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