Concepción Huerta

Born in León, Guanajuato, Mexico, in 1986, Concepción Huerta developed an early interest in the arts, particularly photography and audiovisual media. This foundation laid the groundwork for her multidisciplinary approach to art, where she seamlessly integrates visual and auditory elements to create immersive experiences. Her academic pursuits in audiovisual media provided her with the technical skills and conceptual frameworks necessary to explore the intersections of sound and image, leading her to experiment with various forms of media and storytelling techniques.

Since 2016, Concepción Huerta has been an active figure in the experimental music scene, releasing nearly thirty albums both as a solo artist and in collaboration with others. Her work is characterized by the use of tape recorders and processed tapes to manipulate recordings of everyday objects and electronic instruments, creating atmospheric compositions that blend elements of ambient and noise music. This approach allows her to craft unique soundscapes that invite listeners into imagined narratives, transcending traditional musical genres.

In addition to her solo work, Huerta is a member of the experimental ensemble Amor Muere, alongside Gibrana Cervantes, Camille Mandoki, and Mabe Fratti. This collaboration has led to several releases that further explore the boundaries of sound and performance. Her discography includes notable releases like 'Harmonies from Betelgeuse' and 'The Earth Has Memory', showcasing her deep exploration of sound and its impact on the listener. These works have been released on labels such as Umor Rex and Elevator Bath, reflecting her growing influence in the experimental music community.

Throughout her career, Concepción Huerta has collaborated with a diverse array of artists, including Daniela Huerta, Hara Alonso, and Camilo Ángeles. These collaborations have resulted in projects that blend different artistic disciplines, creating rich, immersive experiences for audiences. Her work with the experimental ensemble Amor Muere has been particularly influential, allowing her to explore new sonic territories alongside fellow artists.

Huerta has performed at a wide range of festivals and venues across America, Europe, and Asia, demonstrating the global reach of her artistic explorations. Notable performances include appearances at MUTEK MX and the Rewire Festival, where she has showcased her innovative approach to sound and performance. These performances often involve spatialized concerts and immersive experiences that challenge traditional notions of music and art, engaging audiences in new and unexpected ways.

Concepción Huerta's artistic approach is deeply rooted in the exploration of the relationship between silence and noise, the political dimensions of sound, and the physical and psychological impact of auditory experiences. She investigates resonance, acoustic space, and how sound affects listeners on both a physical and emotional level. Her work often involves manipulating recordings of everyday objects and electronic instruments, creating atmospheric compositions that invite listeners into imagined stories.

Huerta's exploration of sound also incorporates the study of synthesis, electricity, voltage, formats, and materiality. She delves into sound at its most elemental level, investigating how it can be translated by creating technological bridges between analogue and digital processes. This approach allows her to craft unique soundscapes that transcend traditional musical genres, offering listeners new ways to engage with sound and music.

Concepción Huerta's discography is extensive, with nearly thirty albums released since 2016. Notable works include 'Harmonies from Betelgeuse' and 'The Earth Has Memory', both of which showcase her innovative approach to sound and composition. 'Harmonies from Betelgeuse' focuses on the transmission of electricity between body and machine, creating sonic displacements that seem to float without the influence of gravity. 'The Earth Has Memory' takes listeners on a journey to the center of the Earth, using low frequencies and electric signals to create deep and intense soundscapes.

These works have been released on labels such as Umor Rex and Elevator Bath, reflecting her growing influence in the experimental music community. Her recordings have received acclaim from the music press and have been featured in various publications, highlighting her contributions to the field of experimental music and sound art.

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