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Stella Moss is a UK-based intimacy coordinator and creative producer who specialises in holding safe, expressive and collaborative spaces for staged and filmed intimacy. She trained with the National Film and Television School's accredited cohort and has supplemented her practice with ScreenSkills and industry workshops. Formerly an actor and an award-recognised creative producer, Stella brings both performance empathy and production sensibility to her intimacy work. Her credits span theatre, feature and short film, and music video, where she focuses on clear communication, consent-led rehearsal, and practical choreography that supports storytelling while protecting performers. She is active across the London and wider UK production scene and is regularly engaged as an intimacy lead.
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| Country | United Kingdom |
|---|---|
| Alumni of | National Film and Television School (training cohort) |
| Knows languages | english |
| Occupations | intimacy coordinator, producer, actor, internet personality |
| Primary roles | Intimacy coordinator, Intimacy director, Creative producer |
| Real name | Stella Moss |
| Also known as | IC for stage & screen, Dopamine Dresser |
| Representation | IC Rep listed with Simon How Associates (as noted on public profiles) |
| Training | National Film and Television School (NFTS) cohort; ScreenSkills workshops |
| Known for | Intimacy direction and coordination on theatre and screen productions |
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Early life and professional training
Stella Moss began her path in performance and production before specialising in intimacy coordination. Her background as an actor and creative producer informed a move toward roles that foreground performer safety and truthful storytelling.
She completed accredited training with the National Film and Television School's cohort for intimacy practitioners and has taken part in additional industry workshops through ScreenSkills, Moving Body Arts, PIP and ICIC. That mix of practical training and on-set experience shaped a methodology that balances creative intention with rigorous consent processes.
Career and notable credits
Stella has worked across theatre and screen as an intimacy coordinator and director. Her credits include work on productions such as After Sex, Sister Wives, FRI(END)S, Matriarchy, Portrait and Nothing Hurts Like A Girl, covering feature, short film, commercial and theatre formats.
Her approach often requires close collaboration with directors, movement directors, cast and production teams to craft choreography that serves the story while foregrounding performer agency. In production roles she has also worked as a creative producer and in various production department positions, giving her a practical understanding of set workflow and production pressures.
Alongside production work, Stella engages with community events and Q&As to demystify the role of intimacy direction in contemporary performance. These public-facing activities have positioned her as a practitioner who both trains and advocates for best practice in on-set intimacy.
Approach, influence and professional philosophy
Stella's methodology centers on consent, communication and clarity. She emphasises pre-production conversations, bespoke rehearsal plans, and documentation that makes boundaries visible and negotiable for everyone involved.
Drawing on her experience as a performer and producer, she prioritises approaches that are dramaturgically useful yet practically safe. Her work is informed by contemporary movement practices, trauma-aware frameworks and industry safety training, which she adapts to the needs of each director and cast.
Beyond individual productions, Stella contributes writing and talks about intimacy work in the industry, exploring how evolving standards and accredited training influence both small and large-scale projects.
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Last update on: September 1, 2025 We are patient about content protection. And ofcourse visual content and information have been curated from openly referenced sources provided in the above links.